Sandglass is dedicated to the arts of theater and puppetry as means of exploring contemporary issues, inspiring dialogue, and sparking wonder — by creating original ensemble performances and collaborations, presenting diverse theater artists, producing events that serve our communities, and teaching our art.
Sandglass will be a bridge in our local, national, and international communities for artistic and social development. We will inspire new generations of diverse artists and audiences to further embrace puppetry and theatre as thriving art forms that seek truth and a broader perspective, generate compassion, and celebrate the human spirit.
Sandglass Theater 990 available upon request.
Eric Bass, Co-Artistic Director and Founder
Ines Zeller Bass, Founder
Shoshana Bass, Co-Artistic Director
Alissa Mello, Managing Director
Jana Zeller, Associate Producer
Kirk Murphy, Associate Producer
Aurora Corsano, Administrator
Ensemble and Associate Artists
Ines Zeller Bass
Kaitee Yaeko Tredway
Brad Heck, President
William Ploog, Treasurer
Julian Gerstin, Secretary
Ines Zeller Bass
Michael H. Szostak
Sandglass Theater is a renowned theater company specializing in combining puppets with music, actors, and visual imagery. Since 1982, the company’s productions have toured internationally in nearly 30 countries, performing in theaters, festivals and cultural institutions and winning numerous international prizes.
Sandglass Theater produces works for both adult audiences and young audiences—two repertoires that tour separately and together. Sandglass also performs and teaches in its own 60-seat renovated barn theater in Putney, Vermont. Sandglass Theater is available for workshops and residencies and teaches a 2-week intensive training program each summer.
Sandglass Theater (Sandglass Center for Puppetry and Theater Research) is a not-for-profit organization. Sandglass Theater is a member of the Network of Ensemble Theaters and the National Performance Network.
In the microcosm of theater, the puppet is a means of integrating, of pulling back together pieces torn apart from each other. The puppet is the embodiment of a world no longer ours, an abstraction of a memory, a dream which is recalled. It is other than us, but it lives through us. We grasp it, and in grasping it, it takes hold of us. In dancing with the puppet, we are dancing with our more secret side. We are integrating parts of ourselves. - Sandglass Theater
Theater acknowledges that we are located on the unceded land of the
Pennacook, Wabanaki and Abenaki peoples. We invite you to join us in acknowledging the Pennacook, Wabanaki Confederacy and Abenaki community, their elders both past and present, as well as future generations. Sandglass
Theater also acknowledges that it was founded upon exclusions and
erasures of many Indigenous peoples. This acknowledgement demonstrates a
commitment to beginning the process of working to dismantle the ongoing
legacies of settler colonialism.
Sandglass Theater is a wheelchair accessible facility. We welcome people of all abilities and strive to provide programs that are inclusive and accessible to all. Sign interpretation, touch tours and social stories are available for certain shows. Please inquire.
If you'd like priority seating, parking, or any assistance when you arrive, be sure to let us know when making your reservations. email@example.com
This year our thoughts are on Promise and Respect.
A time to reaffirm promises to our selves, and to each other. An opportunity to see our future as promising.
In this time, when some public figures struggle to keep their promises, often undermined by perpetual systemic inequities, we must tend to our own relationships and creative capacities to imagine new systems that protect one another. We must dream, create, and build together for justice, beauty and peace. We are working for respect and for creating a healthy, vibrant community.
There cannot be respect or promise if we continue to exclude people from essential dialogues because of race, nationality, citizenship status, gender identity, disability, religion, age or class.
May we continue to ask how better to include, how to create access to stories other than our own; may we continue to listen, keep our promises and practice respect together.
Eric and Shoshana Bass
January 1, 2019
Since its founding in 1982, Sandglass Theater has been a renowned theater company not only for the artistic creativity and quality of its productions but of equal importance, our social justice and human rights content. Recent race-related events, coupled with similar events that have been occurring since our country’s founding, have compelled us to take a thorough inventory of our organization’s commitment to addressing social justice issues, including those involving Black, Indigenous, and People of Color (BIPOC). This inventory included looking at our program content, venues, staffing, internal policies & procedures, vendor selection, and how we present ourselves to the public. Although much focus has been placed on safety issues involving the COVID pandemic, we believe priority must also be placed on these social justice issues, with equal vigor and commitment.
On June 9, 2020, our Board of Directors made the following commitments. HERE